While many fans are looking forward to superhero adventures like Guardians of the Galaxy Vol. 2 and Wonder Woman this summer, others have been waiting with bated breath for filmmaker Christopher Nolan 's latest, Dunkirk . Last month, the MPAA handed out a PG-13 rating for the film, which took some fans by surprise, since it's an epic World War II film, although most of his films have been PG-13. During a new interview that took place at CinemaCon last week, the filmmaker revealed that he feels more comfortable working within the PG-13 construct. Here's what he had to say below. "All of my big blockbuster films have been PG-13 . It's a rating I feel comfortable working with totally. Dunkirk is not a war film. It's a survival story and first and foremost a suspense film. So while there is a high level of intensity to it, it does not necessarily concern itself with the bloody aspects of combat, which have been so well done in so many films. We were really trying to take a … [Read more...] about Christopher Nolan Explains Why Dunkirk Is Rated PG-13
Why does suicidal feel like the only way out
D’Angelo performed live from New York’s Apollo Theater Saturday as part of the first-ever solo Versuz livestream , with the singer bringing out guests like H.E.R., Method Man and Redman during the 90-minute gig that explored D’Angelo’s entire catalog. Joined by trumpeter Keyon Harrold, D’Angelo opened the concert with an untitled new song before breaking into his rendition of Smokey Robinson’s “Cruisin’,” which he previously covered on his 1995 debut album Brown Sugar . Method Man and Redman later joined D’Angelo’s livestream to deliver their verses from “Left & Right,” from the singer’s 2000 LP Voodoo , before Method Man took lead on his own “Break Ups 2 Make Ups.” D’Angelo’s set also featured hits and favorites like “Chicken Grease,” “Devil’s Pie,” “The Root,” “Brown Sugar” and a heavy dosage of Black Messiah cuts: “Sugah Daddy,” “1000 Deaths” and “Back to the Future” among them. View this post on Instagram … [Read more...] about See D’Angelo Perform With H.E.R. During Versuz Livestream
I t was a New York winter day, frozen and gray and violently blustery. Indoors, out of the fearful cold, people seemed somehow gentler toward one another – strange in New York City – as if it was enough to battle the elements, no need to battle each other. Inside his manager’s neo-turn-of-the-century apartment, on a sofa near the radiant fireplace, sat Jimi Hendrix , in a gentle, almost reticent frame of mind. The light snow had begun to fall. You could see that through the narrow slits where the curtain allowed the merest sliver of daylight and streetscene to penetrate into the gloomy dark room. On the same sofa, and on a richly upholstered chair next to it, sat the members of Jimi Hendrix ’s new band. He had broken up the old Experience (Noel Redding on bass, Mitch Mitchell, drums) at some indeterminate point during the Fall. He had been living and jamming with an all-purpose crew of musicians – everything from older black gentlemen from the South who played blues guitar, to … [Read more...] about Hendrix: The End Of A Beginning, Maybe
A lot has been made bout the fact that both Star Wars: The Force Awakens and Rogue One have female lead characters, but a new study shows that might not be all it's cracked up to be. While both of these latest entries in the Star Wars franchise do have strong women as protagonist, both movies are still quite male heavy. Even lopsided. A new study shows that only 17% of the dialogue in Rogue One is spoken by one of the movies few female characters. Jyn Erso led Rogue One to becoming the highest grossing movie in the U.S., no small feat that Felicity Jones helped push the movie to the top the box office as the face of this first Star Wars anthology movie . The prequel was also praised for its diverse cast. But diving deeper into the story elements, and what actually happens on screen shows that not only the film's dialogue, but also the male-to-female character ratio is way off course. RELATED: Rogue One Reshoots Weren't as Dramatic as Reported Says Mads Mikkelsen Europe … [Read more...] about Only 17% of Rogue One Dialogue Is Spoken by a Female Character
Janis herself has never sounded better on record, but it took me four full listenings to the LP before I could hear her. That’s how bad her band is. When (and if) you get hold of this record, my suggestion is that you listen really hard to how awful the backup is — everything from the arrangements to the level of musicianship. Those sons of bitches can’t do anything really right. The only answer is to get super-familiar with what they’re doing so you can ignore it. And then dig Janis. They can’t be that bad, you say? On “Try,” they stutter along like Stax rejects, thudding out a 16-to-the-bar quick-step so metronomic it defies you to pat your foot, let alone get up and dance. Janice sounds great, but — “One Good Man” contains perhaps the only instrumental blessing on the whole record, wherein Sam Andrew plays a tolerable bottleneck introduction and obbligato to Janis’ vocal. At least the rest of the band is relaxed on this track, even if they add nothing. (Disconcerting … [Read more...] about I Got Dem Ol’ Kozmic Blues Again Mama!