Ultimate a pretty little liars

There was a moment last November when Channel 4 ’s senior executives breathed a sigh of relief. Sat at the top table of Channel 4’s 40th birthday party, Chief Executive Alex Mahon was flanked by her friend Elisabeth Murdoch and doyens of UK broadcasting, including BBC Director-General Tim Davie and Carolyn McCall, ITV’s Chief Executive. They were raising a glass to a British success story in a rare public display of unity. On the same table was Thérèse Coffey, a senior government minister who had survived three prime ministers in the space of little more than three months. Her presence at the V&A Museum event bemused others, who believed the government only had hostile intentions for Channel 4 after sanctioning a sale of the broadcaster against its wishes. Things soon got weirder. Coffey turned to Mahon and asked if she could raise a glass to Channel 4. She then proceeded to surprise the room full of TV luminaries by serenading her hosts with a rendition of happy … [Read more...] about Channel 4: Inside The Doomed Sale Of A Crown Jewel Of British Television

As talks are about to resume Monday on the final elements that many hope will lead to a new deal for the Writers Guild Of America, we wanted to lend some perspective and give voice to the TV and feature writers whose fortunes will be tied directly to the deal their union makes. This is the first in a quick succession of five questions we asked a panel of 10 writers. Here are their responses, and hopefully other writers will be moved to comment about the issues that worry them most as their work is monetized in this fast-changing digital age. (Note: Writer #2 didn’t reply to this question.) Related: WGA: Why Gains, Lessons From 2008′s Strike Will Keep Hollywood From Another War DEADLINE: How has your ability to make a living improved or deteriorated since the WGA strike and why? WRITER #1: Directly, I lost at least one job so, for me, that is a loss of over $1 million. I was fortunate to survive the strike without the terrible ramifications that hit … [Read more...] about Writers Rail As Talks Resume – First Question In A Deadline Survey

As talks are about to resume Monday on the final elements that many hope will lead to a new deal for the Writers Guild Of America, we wanted to lend some perspective and give voice to the TV and feature writers whose fortunes will be tied directly to the deal their union makes. This is the second in a quick succession of five questions we asked a panel of 10 writers. Here are their responses, and hopefully other writers will be moved to comment about the issues that worry them most as their work is monetized in this fast-changing digital age. Related: WGA: Why Gains, Lessons From 2008′s Strike Will Keep Hollywood From Another War DEADLINE: As a working writer, what is the biggest hardship right now facing you (i.e., one-step deals for feature writers, exclusivity clauses for TV writers), the one that gives you the greatest amount of worry for you and your WGA brethren? WRITER #1: I think the biggest setback from the strike was one-step deals. One-step deals were a … [Read more...] about Writers Rail As Talks Resume – Second Question In A Deadline Survey

There’ll be fireworks but no fire, and there will be a deal in the end. That’s the word I’m hearing from both sides out of the WGA ’s contract negotiations with the Alliance of Motion Picture and TV Producers after two days of talks . No one is commenting publicly, but I’ve learned that besides presentations from both sides during the opening days, there’s palpable unease in the room at AMPTP HQ thanks to the multimillion-dollar rollback proposal producers sent the WGA more than a week before negotiations began. “There’s a feeling of, Why did you have to insult us?’” a WGA insider told me over the producers’ request for $60 million in rollbacks from the health and pension plans, residuals and targeted screenplay minimums. “Once again it makes us the least favored child of the guilds.” Some on the other side of the table don’t disagree with that assessment. “Those were ridiculous proposals meant to appease the people at the top, not anyone in the room,” a well-placed … [Read more...] about WGA Contract Talks Brittle In Opening Days Over “Ridiculous” AMPTP Proposals

Leave it to a sitcom vet like Melissa Rauch to remind the industry that everything old can be new again. After persuading Warner Bros. TV to dust off the Night Court IP and revive it for NBC, multi-cams are suddenly hot again, with every broadcast network — and even a few streamers like Netflix (home to new hit That ’90s Show , which just got renewed ) are putting studio audience comedies in development. While no one is straight-up abandoning single-cams — the success of CBS’ Ghosts and ABC’s Abbott Elementary have certainly made sure of that — there’s no beating the cost-effectiveness of one of TV’s most tried and true genres. “Everybody had a hunch they should probably be doing more of them,” says one high-powered comedy agent. “Night Court is a good sign there is an appetite for that. Everything I’m hearing out of CBS, for example, is that they have pretty hard caps they are trying to hit on these multi-camera shows. The Conners is an exception because … [Read more...] about Thanks, ‘Night Court’! How Multi-Cams Are Having A Moment … Again