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EXCLUSIVE : AGBO , the film and TV company founded by Anthony and Joe Russo , has a new President of Film. Michael Disco , fresh from producing superhero film The Flash , has joined the company in that role. He will oversee the creative and business strategy for AGBO’s film activities. He reports to AGBO’s Chief Creative Officer Angela Russo-Otstot, who was promoted to that role in November. It comes eight months after the company expanded its senior team with hires including Scott Nemes as President of Television. AGBO is behind films including Oscar nominated Everything Everywhere All At Once and Ryan Gosling-fronted The Gray Man as well as the upcoming Millie Bobby Brown and Chris Pratt film The Electric State. For the last couple of years, Disco has been running his own production banner The Disco Factory, in addition to producing The Flash , alongside the Muschietti siblings. Before that he had a 20-year run at New Line, including as EVP, … [Read more...] about Michael Disco Joins Russo Bros’ AGBO As President Of Film

Oscar-nominated All Quiet on the Western Front director Edward Berger has launched a production outfit and struck a first-look deal with Fremantle. Berger has forged Nine Hours with partner Luke Rivett ( The Tomorrow Man) and producer Jeanne Tremsal ( So Long Daddy, See You in Hell) and the indie will make global TV and film projects. Fremantle will house Nine Hours’ TV projects for the next two years as well as being given second-look access to Berger’s new film pipeline. Berger is fresh off the back of nine Oscar nominations for critically-acclaimed Netflix adaptation All Quiet on the Western Front , which has also secured a record 14 BAFTA noms. Other high-profile credits include Patrick Melrose, Your Honor, The Terror and Deutschland 83 , the latter of which he made with Fremantle. “Great drama comes from filmmakers who have an undeniable urge to tell their story,” said Berger. “We intend to find and nourish these filmmakers in their endeavors to … [Read more...] about ‘All Quiet On The Western Front’s Edward Berger Launches Production Outfit & Partners With Fremantle

EXCLUSIVE : Leading boutique firm, the Daniel Hoff Agency, is celebrating an impressive 30-year track record in entertainment via an expansion into Atlanta with a new office to be led by senior agents Renee Banks and Marta Parrillo . Banks and Parrillo are both longtime veterans of the Daniel Hoff Agency who had previously been based in Los Angeles. The agency, with an established presence in both L.A. and New York, now looks to capitalize on the burgeoning hotbed of production in the South, with local agents to bring the personal touch that has been key to the firm’s growth over the decades. Daniel Hoff Agency founder, Daniel Hoff, told Deadline: “Ten years ago, we seized the opportunity to open a Manhattan office with Dave Secor leading the charge, and in 2020, we expanded that New York presence as we brought on power Broadway and musical theater agents Dustin Flores and Marc Anthony Ferre. Now, with the explosive industry investment and growth in the South, … [Read more...] about Daniel Hoff Agency Expands With Addition Of Atlanta Office

Universal’s M. Night Shyamalan R-rated thriller Knock at the Cabin opened its doors last night to $1.45 million in previews off showtimes that began at 5 p.m. That number is just under the preview figure of Shyamalan ‘s Old, which did $1.5M before a $16.8M opening. Knock at the Cabin ‘s previews makes sense as the tracking outlook for the movie is between $15M-$17M at 3,643 theaters. It also has the fuel from PLF and Dolby ticketing. The pic cost $20M before P&A. While Old ‘s opening was at a time when moviegoers were making their way back to the cinema from the pandemic, when it comes to Shyamalan the theatrical business of his films boils down to his endings. Old put many off with a C+ CinemaScore and critics at 50% Rotten, the pic legging out to $48.2M. That was a different scenario from his recent Universal highpoints, Split ($40M opening, $138.2M domestic) and Glass ($40M opening, $111M domestic), which were connected to his 2000 thriller … [Read more...] about ‘Knock At The Cabin’ Grabs $1.45 Million In Thursday Screenings, ‘80 For Brady’ $1.27M In Total Previews – Friday AM Box Office

Paramount has just dated the Ridley Scott directed follow-up for Nov. 22, 2024. Aftersun Oscar nominated Best Actor Paul Mescal is in talks to be in the film, as Deadline first told you. Scott produces with Michael Pruss, Doug Wick and Lucy Fisher off David Scarpa’s screenplay. As Justin Kroll first reported, Mescal isn’t replacing Russell Crowe’s Maximus from the first film, who died. He’s playing Lucius, the son of Lucilla ( Connie Nielsen ), who now is a grown man as the story takes place years after the first film ended. Lucius also was the nephew of Commodus ( Joaquin Phoenix ), the son of Roman leader Marcus Aurelius, who murdered his father seized the throne. Commodus wound up in the gladiator ring with Maximus — who, though mortally wounded, skewered the emperor before fading into the great beyond to reunite with his slain wife and son. Maximus saved the boy and his mother while avenging his own family, and left a strong impression on the young Lucius. … [Read more...] about ‘Gladiator 2′ Gets Pre-Thanksgiving 2024 Release

Leave it to a sitcom vet like Melissa Rauch to remind the industry that everything old can be new again. After persuading Warner Bros. TV to dust off the Night Court IP and revive it for NBC, multi-cams are suddenly hot again, with every broadcast network — and even a few streamers like Netflix (home to new hit That ’90s Show , which just got renewed ) are putting studio audience comedies in development. While no one is straight-up abandoning single-cams — the success of CBS’ Ghosts and ABC’s Abbott Elementary have certainly made sure of that — there’s no beating the cost-effectiveness of one of TV’s most tried and true genres. “Everybody had a hunch they should probably be doing more of them,” says one high-powered comedy agent. “Night Court is a good sign there is an appetite for that. Everything I’m hearing out of CBS, for example, is that they have pretty hard caps they are trying to hit on these multi-camera shows. The Conners is an exception because … [Read more...] about Thanks, ‘Night Court’! How Multi-Cams Are Having A Moment … Again