Nancy Meyers is still searching for a new home for her film after parting ways with Netflix over budget concerns. But in the meantime, the director of rom-com classics like 2006’s The Holiday and Something’s Gotta Give has dropped some hints on Instagram, revealing details about her movie, confirming the title, and sharing its origin. Deadline reported that Scarlett Johansson, Owen Wilson, Penelope Cruz and Michael Fassbender were in talks to star, but that the proposed Netflix budget — which sources say was coming in around $130 million — was causing issues. Sources say that while the studio was fine with $130 million, Meyers was fighting for $150 million, with $80 million of that going to above-the-line costs. The film is titled Paris Paramount , which we were first to tell you about in April 2022. It tells the story of an above-the-line filmmaking duo who reunite (begrudgingly) on set after falling in and out of love with each other. Meyers confirmed the … [Read more...] about Director Nancy Meyers Channels Ernst Lubitsch, Confirms Origin Of ‘Paris Paramount’ Film Title
Hot titles
‘Parachute’ Review: Life After Rehab In Brittany Snow’s Directing Debut – SXSW
There’s a lot going on in this troubled-girl-on-a-journey story, which recalls the late-’90s proliferation of books like Elizabeth Wurtzel’s Prozac Nation and Susanna Kaysen’s Girl, Interrupted . Brittany Snow ’s directing debut doesn’t so much add to that canon as dust it down a bit for a new generation, and its success is mostly attributable to its empathetic star Courtney Eaton — the deserving winner of a SXSW Special Jury Recognition for Performance — whose low-key work anchors a needlessly busy film that never quite settles down. A lot is packed into the opening salvo, from the moment we see Riley (Eaton) sitting on the curb outside a forbiddingly nondescript building, scrolling through pages and pages of narcissistic Instagram influencers. It will come as no surprise when we find out, shortly after that, that she’s been in for a fairly serious disorder she’ll describe variously as “an eating thing” and “body stuff,” but that doesn’t stop her best friend from insisting … [Read more...] about ‘Parachute’ Review: Life After Rehab In Brittany Snow’s Directing Debut – SXSW