It’s clear from the first ten seconds of Fresh Off the Boat, the new ABC sitcom about a Taiwanese family moving from Washington D.C.’s Chinatown to Orlando, Florida, that 11-year old Eddie Huang is an anomaly and he just doesn’t fit in. In the opening scene, the camera pulls back to show his tiny figure swathed in the baggy, brightly colored clothes synonymous with the hip hop uniform of the time, and little Eddie struck a now-familiar pose: he defiantly crossed his arms high across his chest and nodded, not unlike the way Kool Moe Dee and Run D.M.C. used to do at the end of a knowingly dope rhyme. This universal symbol of defiance was now being deployed to signify a little kid’s discomfort with his recent relocation from Washington D.C.’s Chinatown to the bright, bland landscape of suburban Florida. Young Eddie fully intends to shock with his wardrobe, using it to intimidate bullies and parents alike. A massive part of Eddie’s real life and onscreen cultural assimilation rested heavily on his affection for hip-hop culture. But if there’s a difference between cultural appropriation and cultural appreciation, which one was this? I went to Los Angeles in November to have a warm weekend with… Read full this story
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