This story was originally published in the May 25, 2000 issue of Rolling Stone. IntroductionOnce upon a time, a long time ago, a small miracle took place in the brain of a man named Solomon Linda. It was 1939, and he was standing in front of a microphone in the only recording studio in black Africa when it happened. He hadn’t composed the melody or written it down or anything. He just opened his mouth and out it came, a haunting skein of fifteen notes that flowed down the wires and into a trembling stylus that cut tiny grooves into a spinning block of beeswax, which was taken to England and turned into a record that became a very big hit in that part of Africa. Later, the song took flight and landed in America, where it mutated into a truly immortal pop epiphany that soared to the top of the charts here and then everywhere, again and again, returning every decade or so under different names and guises. Navajo Indians sing it at powwows. Japanese teenagers know it as ライオンは寝ている. The French have a version sung in Congolese. Phish perform it live. It has been recorded by artists as… Read full this story
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